Categories
Festivals

North Coast Music Festival Silent Disco Lineup Announced

North Coast Music Festival (NCMF) is thrilled to bring back the SILENT DISCO and announce the lineup for 2015!  This year the Silent Disco tent will feature a double DJ booth with two separate channels of music on every headphone, so fans will be able to switch between each DJ.
As always, Chicago is strongly represented by an eclectic variation of DJs, which is exactly why the Silent Disco has become such a fan favorite.  With over 30 DJs spinning across all genres from hip-hop, funk and house, to disco, trap, trance, and more, everyone’s favorite headphone discotheque is always a crowd pleaser.
Weekend passes and single day tickets are on now sale at www.northcoastfestival.com!

disco
Categories
Festivals Interview

Electric Forest – Everlasting

Coming back to civilization was jarring. Unnatural. After being there, going home made everything we had experienced at Electric Forest like a dream. Surreal. As it was for Alice, who walked through the talking doors, no one, no matter how far their imagination stretched, could anticipate the wonders that awaited beyond the front gates. Rothbury’s best kept secret until recent past.
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Truly understanding Electric Forest can really only be done by being there. So, make sure it’s on the list. What I CAN relay to you, however, is that from the moment you step foot through the gates to the early A.M. hours when you went back through, every portion of your senses had been stimulated by a world that could best be described to any avid festival goer by “It’s f@*#-ing Shangri-La.”
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Never, have I experienced such a masterfully curated Interactive Art and Music festival as within Insomniac’s Electric Forest. (I still have yet to go the Burn In Black Rock.) Moment to moment, from the stage of Tripolee to Sherwood Court, sounds, sights, smells, sensations of all shapes and sizes, from over 8 stages and beyond, overwhelmed my subconscious. It was ALMOST to much.
My photographer and I arrived after a four and a half hour journey through rural roads along western Michigan. Even now, smells of thick pine and cedar continue to blend with memory; bringing me back to the canopy covered world of lights and love. In the wee dark hours of the morning from almost ten miles away you could see the Forest’s glow hovering over the tops of the trees. “Happy Forest!” being heard everywhere. Calling, all who came near like moths to an electric flame.
 
Turning from the off ramp onto the winding road and making our way to the front gates, we found it riddled with over 40,000 Forest Family members “struggle bussing” back to their temporary homes for those magical four days. Furry felines. Scantily clad fairies dripping with glitter dust and sweat. Neon Guys and Glowing Girls.  Flow artists with swirling light orbiting them like meteors in rings; a literal army of “PLUR (Peace, Love, Unity, Respect) Warriors” crawling their way back to their tents after a full day of battle with artistic Giants.
autoo
I still shake my head with a smile as I try and wrap my mind around what happened. Let’s take a moment to reflect. We got to speak with a few of the artists camping there that weekend. Our first task on our journey was a sit down with Chicago Tropic House heavyweights, Autograf. (You can catch the interview here: ) They were just about to enter the artist food tent when I grabbed them for a quick interview. Edward Sharp and Magnetic Zeros were jamming from the Ranch Stage just a quarter mile away. It was hard to tear away from them but there was no way we were gonna turn down the opportunity to drop in on Autograf. I asked them about their take on E. Forest:
“It’s trippy.”
(Aptly put.)11722358_1190896637590955_4352256049337067389_o
“We just keep hearing so many people talk about this festival and all the art. We are happy to be apart of it,” said Mike Wing (also a member of Midnight Conspiracy). Not surprising due to the reaction of the Forest Family to Autograf’s killer set.
“Well done boys. Inspirational.”
Jake Carpenter, one half of Autograf, mentioned how “The visual art here. That’s inspirational. I used to do mostly sculpture. One of my favorite artists is Javier Martin but that’s beside the point. Walking through the forest while it’s all lit up is peaceful.” Spiritual. You could see that playing E. Forest was a milestone of success for them…. “It’s really satisfying to hear feedback from our fans saying that we helped inspire them to create new work too. It’s a big win for us in our minds.”
With the immense explosions of art surrounding us I hesitated to ask but wanted to know where they were heading with the project. They replied with a proud smile,
“We have a full album finished. The initial inception of the project was to get back to our roots; the after hour basement dance parties. We’ll be putting out songs for the rest of the year. Officially we can’t announce whom we’re collaborating with, but the first single is set to drop next month [end of July.] It’s been cool. We’ve been playing them out during our concerts and since the audiences haven’t heard them yet it’s really interesting to see how they’ve been reacting to it. We are including live instrumentation. We are working with the concepts of trying to turn club sets into a live set and performance. We are also working on finding a visual concept to fit it,” said Wing, “As soon as we have the right rig you can expect to see Autograf become a very visual experience.”
Autograf had to run immediately after our sit down but made sure we were hip to a secret set happening later that evening on the grounds after everyone was escorted out of the gates. Not knowing how the night would favor us we decided to do what we could to take in the rest of the grounds and scope out the secret spot. Somewhere in the middle of ‘Sherwood Forest’ (a literal playground for the sober and psychotropic mind) amidst the immense collection of eye candy that laid before us we found ourselves almost instantly lost; thrown into a childlike state of wonder and awe.
C11754433_1197841603563125_200856337835778557_olock towers constructed from sacred geometrics, tents dedicated to gong baths, LED clouds mimicking a cage of electric rainbow fire, and hammocks as far as the eye can see filled this cornucopia of stimulations. But, it wasn’t until we were passing beneath the feet of a giant woman, The Electric Forest Goddess (she changed each year), a voluptuous figure reaching for the sky with a muted bronze glow shining beneath a shroud of vines and leaves that we would come across something that, for me, would fixate itself into my waking mind.
 
 
 
 
11227875_1197838220230130_612476712017721720_o11057449_1197845356896083_5934561311469658789_oImagine, tucked into an almost wonderfully hidden corner off the path through this neo-sacred ground lay 22 doors facing each other in a round. What first caught my attention was the slam of a wooden door being heard bouncing off the trees. I looked towards the sound and saw three individuals crossing the thresholds; two exited one entered. There was an odd glow permeating from out of the open doors. I could see and hear people laughing, and then silence as the doors shut again. It kept up like this for several moments, people entering and exiting, as I drew closer to inspect the odd structure. Every door was different; so simple, so basic, so quiet until they were opened to reveal the inner sanctum alive with laughter, music and scented air.
 
"Burning Man 2014"
When I finally walked through my door I was greeted by a beautiful young raven haired woman dressed like a gypsy saying to me “Oh?! Which door did you come through? [she looks] The stars! Who are you not to shine?” then disappears through the portal I just came through. I turn to see that the door, which looked so decrepit on the outside, was lined with a stunning image of a woman’s nude body wrapped in blanket of stars. And the base read the word “STARS: Who are you not to shine?” Curiously I turned and surveyed the other doors and quickly realized that they were all line with powerful sacred images and symbols. Every door was lined with a newly represented images of the 22 most powerful cards in the Deck of Tarot. [Laura my photographer walked through the Hierophant]  So mesmerizing were the black and white photographic images that I almost forgot that there were people in the room. People kept entering and exiting. There two pedestals with full page portfolios that gave the reading for each of the doors, as if you drew your fate card from the fortune tellers deck, but didn’t even know it until you read over the account of the door in which you entered.
"Burning Man 2014"
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Collecting ourselves we began to make an attempt to discern who to talk to, in order to understand what it was we were being surround by, and why it was so inexplicably moving. In that moment it dawned on me that with everyone walking in and out of the room through different doors, I couldn’t tell who was apart of the installation piece and who was an observer. The artists, who were present the whole time, were shrouded in anonymity and could stay that way until they decided to reveal themselves. So, seamless was the human shuffle that it began to make me feel uncomfortable; like I was being watched and I didn’t even know it. I walked around the room (my photographer snapping happily away) as light pierced my eyes through the holes in a spinning rusty oil bullet shot drum at the center of room. Looking away from the shine, my eyes drew down to meet those of woman sitting on the round bench beneath the drum. She was in all white lace, gold makeup and jewelry. Her blues eyes stared at me; studying me. She stood up carefully approached me and asked, “Which card did you first come through?”
“The Stars,” I replied.WHEELOFFORTUNE-TAROTPROJECT --4-L
She smiled. I realized who she was. I began to ask her questions left and right. “What is this? How did you make it? Why does it feel so odd and gripping? Where did this idea come from? Who are you?”
She spoke sweetly as another beautiful slightly more eagle eyed woman came near to us, “My name is Jill and this is my counterpart Anne ,” the artists of this room called the Wheel of Fortune.
 

"SONY DSC"
“SONY DSC”(Left: Anne Staveley, Right:Jill Sutherland

 
They went on to tell me how the idea spawned. They are photographic muralists that originally wanted to create the entire deck of 78 images. But, after their consultation with a friend and Tarot reader they felt that it would be more feasible to focus on the 22 trump cards. What they couldn’t have realized at that point was how poignant this decision would become. Each image separately/simultaneously photographed at different exposures(no digital alteration) then layered to make up each of the cards, would become the doors to this gravitationally charged room. (A fully manifested metaphor for ancient universal mysteries & truths, if you ask me.) So, detailed and thought out was this project that once you introduced the human element the movement of the room was completely organic. Taking on a life of it’s own. People kept coming and going. Most noticeable were the ones who were coming in, as those who were leaving some how felt like they never left, leaving their presence behind. With every new body that entered the room you could feel the shift in energy grow, but some how never felt as if it shrank.
“What is that?” I asked.  A silent shrug from Jill Sutherland and Anne Staveley, who had been trying to document the phenomenon themselves They just pointed out a GoPro attached to the cast iron chandelier fixed at the center of the room.
“It’s like a living organism. This project has been growing since we’ve begun. Last year we were rewarded for our efforts with being named one of Burning Man’s 2014 Honorarium Grant Recipients. (http://burners.me/2014/06/02/2014-art-grant-winners-announced) (Now we are taking the piece on tour. Hopefully soon to Europe” (Follow them Here: http://livinlargephoto.com/)
As hard as it was I had to leave these wonderful artists and continue on our musical mission. We exited the Wheel of Fortune back into the Forest amongst a sea of hammocks and Phantogram playing through the trees that were now lit up like neon pillars. Wandering from stage to stage we were enveloped by a massive speak easy pumping out Electro Swing music like it was 1929. Vorteque, yet another Chicago producer/DJ/circus freak brought an unparalleled vaudevillian performance each night that warped everyone into the future past, at the Hangar Stage. It was a steam punkers dream.
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At the end of the night (morning really) staff were escorting everyone off of the grounds to prepare for the next day. (Big job.  Big forest.) We still hadn’t found the secret stage so we were reluctant to follow the crowd. In the air we heard an engaging pianist soloing behind a wall on a darkened secluded stage. Curiously we went in. A random festival attendee, Kelly Costello I think her name was, had been wailing on the keys like she was pouring her heart out into a soul driven ragtime. Egged on by one of the artists, Yeshua Quinn, that dressed the Goddess of the Forest we stood and watched this girl poor her heart out. Unsolicited and unbeknownst to us, a crowd slowly gathered and silently listened to this beauty grasping for the last moments before we all had to go. She drew to finish with a flourish. The crowd cheered. Then out of nowhere the stage lights suddenly turned on and blared back at us. Costello walked down stunned while MR. CARMAK walked up to an already set up DJ rig and commenced to blow our minds.
 
Without even thinking about it we had found ourselves drawn into the afterhours party that we were searching for the whole time. Jpod, Autograf, Macy Grey and several of the major invited artists were dancing all around us. A celebration of the entire festival and the joy they were all bringing to the Forest Family and each other. NO WAY! I couldn’t believe our dumb luck. Needless to say the party went well into the morning as is the tradition of a true after party.
By the time we left, the Sun was already up and the grounds were cleaned; prepping for Sunday’s revelry. We said, “Jam! Let’s walk out the front gates back to our tent and get some food.” As we crossed the massive field before the stage of Tripolee we saw three hot air balloons lifting off into the sky; (our camera dead) slowly rising with my reflective thoughts. This place was truly magic. A place manifested by the sheer creative will and pure loving intention of a community that longed for something more. I will never forget the smell of pine and cedar blending into the morning mist. A true experience that has dug into my memory leaving it’s everlasting….
-Mark
 
ELECTRIC FOREST
Rothbury, MI
2015

View our Electric Forest Photo album here

 

Categories
Interview

Interview with Autograf at Electric Forest

We got a chance to sit down with Chicago natives Autograf at Electric Forest and talk about their experience at the forest and their plans for the future.

Categories
Festivals

MAMBY ON THE BEACH SET TIMES RELEASED OFFICIAL AFTER PARTIES ANNOUNCED

React Presents is thrilled to release the 2015 schedule and set times, as well as announce the official after parties for Mamby on the Beach, happening at the finest clubs and venues in Chicago! Tickets are on sale now here.  Weekend passes and single day tickets are selling fast, so grab yours while you still can.
schedule
Check out the Official Mamby on the Beach After Parties below:
FRIDAY

  • Official Mamby Beach Pre-Party: AC Slater & Hotel Garuda – the MID – RSVP for No Cover at Clubtix.com

SATURDAY

  • James Murphy (DJ Set) & George Fitzgerald – the MID – Tickets available at Clubtix.com
  • Goldroom (DJ Set) & Autograf – Yacht Party – Tickets available at Clubtix.com (3 Hour Open Bar)
  • Felix Da Housecat – Evil Olive – Tickets available at Clubtix.com
  • Moon Boots – Primary – Tickets available at Clubtix.com

SUNDAY

  • Art Department & Gene Farris – the MID – Tickets available at Clubtix.com
  • Tanlines (DJ Set) – Progress Bar – RSVP for No Cover at Clubtix.com
  • Holt (DJ Set) and Glass Lux (DJ Set) – Beauty Bar – RSVP for No Cover at Clubtix.com


Mamby on the Beach will provide VIP ticket holders with exclusive water access! This marks the first time a music festival in Chicago will allow it’s patrons to access the refreshing waters of Lake Michigan. Please note that water access will be available on a first come, first serve basis, as there will be a limited capacity in the water.
VIP Perks also include:

  • Express Admission into Festival
  • Private Bars with Premium Spirits, Beer, and Wine available for purchase (Only beer available in GA)
  • Designated Premium Viewing Areas at Stages
  • Shaded Lounge
  • Air Conditioned Bathrooms
  • Exclusive Lake Michigan Swimming Access*

Click HERE to go VIP and take a dip in the lake!
While capacity allows, GA ticket holders will be able to upgrade to VIP at the ticketing booth on site, but to ensure VIP entry and water access, we highly recommend purchasing VIP tickets in advance.
About Mamby:
Mamby on the Beach, a lakeside festival reincarnated from a weekly Chicago party in the mid-2000s that celebrated a unified energy, stemming from the city it was born with artists like Green Velvet/Cajmere, Derrick Carter, and many more. In 2015, React Presents breathes new life into this energy, combined with the unmatched summer time vibes of Chicago, to host the new annual two-day festival, Mamby on the Beach.
The goal of Mamby is to reflect the unparalleled experience of Chicago in the summer and preserve the history of Chicago as the home of house music. Mamby curates established and rising live performances from artists in the indie-dance music world to best represent the summertime vibes of Chicago. Mamby focuses on legendary artists who are still pushing boundaries and representing Chicago’s own house music. Emerging artists from house and techno recognize the influence Chicago has had on their music, and Mamby takes pride in shining a light on these artists for years to come.
Mamby On The Beach
July 11 & 12, 2015
Oakwood Beach
4100 South Lake Shore Drive
Chicago, IL
18+ | 1 PM
www.mambybeach.com
 

Categories
Music News

Blue’s Coming Back

Chicago Blues Festival
Grant Park
Chicago, IL
June 12-14
After 32 years of long standing music tradition the Chicago Blues Fest brings some of the country’s most prominent players that have helped shape the Blues world and music as we know it today. Outside of Bob Margolin, former Guitarist for Muddy Waters, and Marty Sammon, current keys player for Buddy Guy, we were graced by one of the last living legends Buddy Guy himself. Guy provided nothing short of an inspirational performance to a rain soaked audience upward of several thousand. “…cool it down…I want to hear some hand clapping…”, said Buddy to his band of which he was firmly obliged by the audience.
I was given the opportunity to speak earlier in the day with the chief organizer of Blues Fest, Jeneene Brown-Mosley, who is currently in her 4th year holding this role and 29th year as an administrator of in the Chicago Department of Cultural affairs. “I was excited,” said Mosley when told that she would be taking over for this highly anticipated event. “The most interesting things [about this role] are when you are trying to keep the integrity of the tradition of the Chicago Blues Festival while letting people know that there is a new generation of blues and, so, trying to keep that going.” This is important, “… to keep the young people involved as some of our artists are passing away…” How true as the music world has most recently lost one of its most recognizable personalities, BB King. Mosley went on to tell us more about the tribute on Sunday evening for Muddy Waters.

Bob Margolin tearing it up at Chicago Blues Fest
Bob Margolin tearing it up at Chicago Blues Fest

Bob Margolin was gracious enough to answer a few question about the tribute that he would be playing that night while in between sets on the Windy City Blues Society Stage. “I miss him [Muddy Waters]… “ “but I gotta keep playing..” Margolin, once side man to Muddy Waters, played only hours before Marty Sammon, now side man to Buddy guy, took to the same stage. Sammon stated, “This festival is what it’s about” headlining the WCBS stage that Sunday afternoon. Both Margolin and Sammon took the main stage and were well received, giving the audience a stellar performance to hold on to until next year. Dave Madlener, director of the Windy City Blues Society, made a point to say that “Each year we get the chance to hear them do what they love and they just keep getting better…”
But, what of Blues today? Where is the genre going? And who do we see leading the way to infuse the foundations of Rock and Roll back in to the masses? Will Jacobs, one of the younger and steadier Blues musicians running in the Chicago Blues scene today had this to say about the movements new direction “You see a lot of people finding the Blues through Johnny Lang and Gary Clark Jr. [who is playing Lollapalooza this year] and work their way back to players like Albert King and BB King. “ “I see younger people coming into places like Kingston Mines, Blues on Halsted, and Blues Chicago and that’s great, but where is it on the radio?” Currently Jarekus Singleton, as Jazz influenced Blues artist, is one of the few along with Jamiah “On Fire” and the Red Machine that are currently making a name for themselves on the national circuit. From having quick moments with all of these artists it seems that the general consensus of the future direction of Blue in the mass public lies within the Soul R&B.
Maybe. From a point of view shared by artists that have wonderfully devoted their lives to this genre, yes, this could hold, but as a music lover I feel that this may be a bit hasty. When walking outside of the grounds just beyond the gates to CBFest I my ears peaked with profound interest at the sound of a ruckus that could be described as Psycho-Delta Blues. An amazing duo, know as Tyrannosaurus Chicken [www.facebook.com/T.Chikn], consisting of Smilin’ Bob Lewis and his god daughter, Rachel Ammons, two native from Arkansas that some how seemed to just burst out of the trees while busking their uniquely profound style of Delta Blues. “ Back home [Arkansas] they call us Pyscho-Delta,” said Lewis. A sound that has been cultivated over the past 7 years which has just this past year taken to the road. They were featured at CBFest on the Windy City Blues Society stage on Friday to a packed crowd, then spent the rest of the weekend keeping to one of the oldest Blues traditions; busking on the street for everyone to hear. He wails on a series of stringed guitars, banjos, dobros, and a Telephone receiver microphone , while she fiddles with the fire of someone looking to escape their body flailing her hip long hair around the stage. A party whether you like it or not. They have headlined smaller Midwest festivals like MOLOVE (Missouri), Hillberry(Arkansas), Big BAM Ride (Missouri), and a slue of venues along the way to enthusiastic crowds. Their music left no foot un-stomped. Their sound was unique, fresh, intoxicating, and, yet, rooted in Delta Blue tradition. Definitely worth checking these two out!
With so many opinions as to what truly makes up a sound to classify it as something or not like everything in life it must evolve if it is to survive. And with newly found gems such as Jamiah “On Fire”, Jarekus Singleton, and Tyrannosaurus Chicken we have begun to see the genre shift into a new age and leave its…..
Mark

Categories
Music News

[Review] Wakarusa 2015 – A Trip Back To The Mountain

And with that yet another wonderful year on Mulberry Mountain at Wakarusa 2015 comes to an end. Wakarusa isn’t your typical music festival; each year it offers more to its Wakafarians, than just a musical aspect. It’s a combination of art, music, and the spiritual experiences one has that keeps participants coming back year after year. Despite the detour due to the landslide on highway 23, Pipeline did a great job of funneling the crowds through the security gates and up the mountain in a timely manor. Even in the initial long security check lines spirits were at an all time high, people were cheering, beers were being passed, and “Happy Waka’s” were being said everywhere. Celebration was thick in the air, as everyone was pumped to finally be back in the presents of the mountain.
 
IMG_6399Whether you arrived Wednesday afternoon or early Thursday, first item on the docket is to reacquaint yourself with the grounds for veterans or get the initial lay of the land for newbies. With the main stages not housing music till the later afternoon one might stumble into one of the two stages not in the main festival grounds, the Backwoods Stage where Shawn James and the Shapeshifters were getting the festival off to a great start with their part heavy metal, part banjo pluckin’ bluegrass jams. Walking into the main grounds for the first time, festival-goers are delighted with what they find. Each year they give grants out to help fund some of the art instillations seen around the grounds and this year was no disappointment. Providing artists with a place to showcase their talents while onlookers enjoy, creating a magical space to spark artistic talent in anyone. Up on the Main stage was indie-progressive rock band, Moon Taxi, followed by The Devil Makes Three; both providing the perfect soundtrack to the beautiful day. Nestled back among the lush shade of the mountain trees lies the Satellite Stage, where Goldroom was queued up to play. Taking the stage, his sunset disco had the crowd dancing to the beautiful backdrop of the setting sun. Providing the perfect mix of tunes to get you pumped for the rest of the night. Reggae-rock band, Slightly Stoopid, stepped foot on the Main Stage around dusk, bringing calming vibes before crowd favorite Umphrey’s McGee brought thewaka3 heat. Electronic Duo, The Floozies, had the crowd mesmerized with their sea of lasers and party rocking funk. Gigantic Underground Conspiracy, which features members from Big Gigantic, Conspirator and Underground Orchestra, closed out the Main Stage and did not disappoint. For those not ready to call the night quits, after hours were held at the Satellite Stage where Minnesota threw down some nasty beats and Govinda closed out night one with a 5am sunrise set. Exhausted, those who made it to the end shuffled back to their tents to catch what few hours of sleep they could before the sweltering Arkansas sun wouldn’t allow anymore.
One of the best features of Wakarusa is the hike to the waterfall. Forewarning, the hike down is not that tough and once hikers arrive they are ready to take the plunge into the brisk mountain water. The hike up on the other hand, is a much different story. What seemed to be a breeze on the way down is now an all-uphill boulder climb to make it back to the main festival grounds. Don’t let this scare you off though, it is definitely worth the workout.
IMG_6747 First up on Friday’s agenda was Tropical house sensation, Thomas Jack, at the Satellite Stage. His soothing, island beats were a perfect way to easy you into the night. Electric disco man, JackLNDN played after and hyped the crowd up for one of my favorite duos Hermitude. Their remixes to popular songs like Odesza’s “Say My Name” and Flume’s “Holding On” got the crowd into the party mood. Back for another year, STS9 took the Main Stage where they blew everyone’s mind with their funky beats and eye-popping light show designs. Jeremy Salken of Big Gigantic made a
surprise appearance on stage with a marching band percussion section and continued to amp the crowd up for their upcoming set.  As Big Gigantic took the stage there IMG_6892was an intense feeling of excitement throughout the air. As soon as they played their first note, the crowd was in all out party mode from that moment on. Blasts of confetti canons shot into the crowd and rained down covering the boogying festival-goers like gifts from the sky. The night closed out with gravity defying aerialists Ouixotic. Their mesmerizing artistry choreographed to progressive electronic music artists left onlookers wanting more.
 
IMG_7135Awaking Saturday to the extreme heat of the sun was no different any of the other two days but in the early afternoon there was a sudden shift in wind. The stages closed down as a near by thunderstorm halted performances for the time being. This did mess with the stage schedules for the day but Pipeline did a great job in recovering by letting the artists push their sets back by the time lost. When Young The Giant finally took the Main Stage the crowd was more than ready to start gettin’ down. They played songs from their new album “Mind Over Matter” along with classics like “My Body” from their first record. Hip hop/neo soul band, The Roots, followed up with a killer performance. Indie rock band, Glass IMG_7213Animals played on the Outpost Stage, in arguably one of the best sets of the weekend, drawing quite the crowd. Playing hits from their debut album ZABA, they definitely did not disappoint with their first Waka experience. Ben Harper & the Innocent Criminals provided some much needed relaxation before the craziness of Major Lazer ensued. I have to say, Major Lazer knows how to get down. With scantily clad, booty shakin’ ladies on stage the whole place was one huge party. For those who were not ready to call the party quits, The White Panda and Black Tiger Sex Machine provided the nasty beats to keep you dancing into the wee hours of the morning.
IMG_7388Awaking Sunday morning there was a sadness that hung in everyone’s mind. This was the final day on the mountain and no one was ready to return back to reality just yet. Spending most of the day at Satellite Stage to get away from the sun, Mouth, Greenhouse Lounge and Nadus all were providing the perfect beats to chillax under the shade of the Satellite Stage trees. Portugal. The Man took the Main Stage right before the sun started to set and brought the perfect sound track for the last nights sunset. Lotus was up next and played arguably one of the best sets I have ever seen. To close out the main stages, the tough decision between Eoto at Revival Tent or Thievery Corporation at Main Stage needed to be made. Not be able to decide,IMG_7399 my time was split, getting down hard to Eoto’s funky beats then switching it up to Thievery’s more mellow sound really hit the spot. Satellite Stage housed the very last set of the weekend put on by Goldfish. Once the music ended the party was still going. Renegade stages were being set up throughout the campsites for those who were not ready to stop the party. Final memories were being made between old friends and new as the sun started to peek out behind the mountain backdrop. Reality began to set in as those still awake found their way back to their camps before starting to trek home.
 
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Whether you’re at Wakarusa to escape from reality or to find yourself again, the mountain provides each with what they are searching for. The comradery between fellow Wakafarians is unmatched and cannot be replicated at any other festival. There is something magical in that fresh mountain air that leaves everyone awakened and refreshed. As you return home to your TVs and hot showers and conveniences of civilization, remember the feeling you get on the mountain. Carry it with you and plant it in life, love, and Mother Earth and then maybe the world will follow.

We can’t wait to see you all on the mountain in 2016!

WAKA WAKA!

Check out our Full Gallery From Wakarusa 2015 Here

 

Categories
Festivals Interview Music Music News

An Interview with Goldroom at Wakarusa Music Festival

This past weekend I got to sit down with Goldroom (Josh Legg) and chat about his new EP and experience at Wakarusa 2015. Despite some technical difficulties in the beginning of his set, he had the crowd dancing to his sunset disco set at The Satellite Stage, Friday evening with the beautiful setting sun as the backdrop. Here’s what he had to say,

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So Josh, Did you get a chance to go out and explore at all today?

I didn’t, getting the chance explore festivals is my favorite thing. I love disappearing into the crowd and seeing bands I’ve never seen before and just hanging out and meeting people.

Are you staying tomorrow?

No I’m leaving for Little Rock in a couple hours, so I can fly to Europe to go to Greece

When did you start producing music and how did you get into it?

It depends on what your definition of producing music is – looking back I think it started when I was about 12. My cousin gave me a Task AM 4 track cassette recorder. With a 4 track recorder you can record instruments on side A and dub them to other instruments on the other side, like it is now but it was on cassette tapes. So I was writing from the moment I started playing guitar, I started writing songs on it, when I was 10 years old. So I was always writing songs and recoding them and I got really interested and excited about how to make the recording sound as good as possible, I didn’t really know it but that’s when I started learning about producing.

Do you only play guitar or do you play other instruments also?

I played Cello for like 8 years – I love cello, it’s my favorite. But a few years into that I started listening to rock and roll and forced my parents to buy me a guitar and then I started playing guitar and learning it and really fell it love with it. I play keys and bass also. When we play live with the band I play keys and guitar

So you just had an EP come out “It’s Like You’ve Never Went Away” – Tell me about that?

Yeah, it was kind of interesting. I’ve been an independent artist since I started and basically what happened with this EP was my label Dowtown Records and Snapchat came up with this idea for a collaboration that they wanted me to be apart of. So they pitched me on it and I thought it was really exciting. We shot four music videos vertically for phones and it’s really a short film that’s broken up into 4 music videos. So it’s kind of the first time that it ever happened before so the idea of getting the chance to do something that’s never been done before is pretty exciting.

Who are you inspirations and where did your influences come from for this EP?

My real influences and inspirations have always came from the same place, that’s classic song writing from the 60’s, 70’s and 80’s. I just want to write songs like Tom Petty, that’s all I care about doing and I just want to make classic Americana but put it over this really cool palate that I love. I’m trying to take classic folk music and Americana and write songs that are meaning full and lasting and that would work if I just played them on guitar and sang them but then placed them over this very narrow sliver of electronic music that I love

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What would you like your listeners to take away from you EP?

Hopefully it can be an escape for some people. Music has always been an escape for me and when I was 14 and hating life I would just lie in bed and listen to music and imagine being somewhere nicer, warmer. I think I still make music coming from that place, so my hope is that I can make people feel something and want something more

Do you recommend any artists in your similar style to check out?

Most of my favorite artists don’t make dance music but I have a great community of riends that make the same music and come from the same background as me and kind of approach electronic music from a band and song writing perspective. And everyone should go check out guys like Poolside, The Knocks, RAC, The Youth. These are all people that I’m really close with Gigamesh – were all really close with each other and support each others music which is great and isn’t something that I really had until I started this project and found some kindred spirits and we all been approaching this style of music from the same perspective.

You’re playing a bunch of festivals this summer, which are you most excited for or that you already played?

Hangout fest in Alabama was really cool because it was literally on the beach and I’m going to be really happy about that any time it happens. I’m also really excited for Electric Forest, because everyone keeps telling me over and over again that it’s the greatest festival in the world and were going to spend a couple days there so I’m going to get to have my own adventure there and go out exploring. I’m really, really excited for that. I’m also playing a live set and a DJ set there, so that’s pretty cool. Then probably FYF Fest in LA just because that’s been a minute since I’ve played in LA, for LA fans, the hometown one is always big and FYF is a festival that I’ve loved for a longtime, it’s like Coachella’s little sister. So it’s going to be very cool to play that.

What can we expect from you for the rest of the year?

Working a lot with my band and like improving the live show and making it bigger and better and at this point I don’t have any more excuses, I have to finish my album. I think I’ve put out enough singles, I realized the other day I’ve put out an hour of original music but I’ve never released an album, so it’s time for me to finish my record, I’ve been writing it for 4 years now so that’s definitely the goal for the next new months.

Is there anything else you’d like to add?

I didn’t get a chance to explore today but I was very spiritually won over by the Ozarks, the drive in was so beautiful and you just feel like you are enveloped by nature then getting the chance to DJ in the middle of all that was very special, it was very cool.

Huge thank you again to Josh for taking the time out of his schedule to meet with us at Chicago Music Festivals this past weekend

Check out his new EP “It’s Like You Never Went Away” below

Categories
Festivals

REACT PRESENTS & T-MOBILE ANNOUNCE THE 2015 SPRING AWAKENING MUSIC FESTIVAL LIVE STREAM

React Presents and T-Mobile USA, Inc. are proud to present the official live stream for Spring Awakening Music Festival (SAMF)! Hosted on Twitch, the world’s leading streaming platform, the upcoming “SAMF Live Stream, Un-leashed By T-Mobile” will be bigger and better than ever before, giving fans from around the world a chance to experience the fourth annual SAMF as it happens on the historic grounds of Soldier Field in Chicago, IL.
Watch live video from Beatport on www.twitch.tv
To watch the stream, tune in to springawakeningfestival.com or twitch.tv/beatport, on Friday, June 12 through Sunday, June 14 from 5PM until 11PM CST to catch sets from Tiësto, Hardwell, Afrojack, Sander van Doorn, Jack Ü, Borgore, Headhunterz, Morgan Page, Oliver Heldens, and more, as well as get an exclusive behind the scenes look of SAMF.
SAMF 2015 tickets are available at www.springawakeningfestival.com.

Categories
Festivals

Spring Awakening Music Festivals Schedule Released and After Parties Announced!

Spring Awakening Music Festival is thrilled to release the 2015 schedule and set times, as well as announce the official after parties happening at the finest clubs and venues in Chicago! Download the iPhone app here to create your custom schedule. SAMF 2015 tickets are still available at springawakeningfestival.com.
schedule
Official SAMF 2015 After Parties
THURSDAY
SAMF Official Pre-Party w/ Tujamo – MID
FRIDAY
Eric Prydz – the MID
Tommy Trash – SAMF Yacht Party
Martin Garrix – Concord Music Hall
Mija – Primary Nightclub
SATURDAY
Special Guest TBA – the MID
Flosstradamus – Concord Music Hall
Eats Everything – Smart Bar
Brillz – Evil Olive
SUNDAY
Special Guest TBA – the MID
Zeds Dead, Branchez, Justin Martin & Steve Gerard – Concord Music Hall
SAMF Official Closing Party w/ Figure and Porn & Chicken – Evil Olive
Tickets available at Clubtix.com

Categories
Festivals Music News

Summer Camp Music Festival 2015

Shenanigans at SCAMP!
(no particular order)

  • Here Come The Mummies
  • Burlesque exotic performance
  • “Just A Friend” Singalongs
  • I’M IN LOVE WITH EOTO
  • Pink Talking Fish
  • Late night Keller Set
  • Fly Like An Eagle, Joker, Steve Miller Band – enough said
  • Big Gigantic and Friends dropping 2011 jams
  • Griz and the Werks Staying Alive #BEEGEEGAMESTRONG
  • Fiddler troupe playing an intimate Friday sunrise
  • Main Squeeze!!!!
  • Classical Snipet played at Twiddle

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In celebrating its 15th year since inception, Summer Camp Music Festival laid it down this past Memorial Weekend. The festival weather gods shined upon patrons as we raged another year in Chillicothe, IL. Summer Camp is one of those “best kept secrets” of the mid-west. This can be attributed to its intimate size, loyal attendees and killer line-ups year after year. Summer Camp truly has perfected its secret sauce of festival formulas.
Summer Camp’s unique, collaborative force, otherwise know as it’s lineup, hits a wide range of genres. Founder, Ian Goldberg, mentioned that Jane’s Addiction was the reason he began Summer Camp. He has built a festival that hits an eclectic target market, and carries the spirit of a friendly flash mob. Summer Camp is like a spectrum of jam, funk, electronic, blue grass, rock and more all working together to give you one technicolor performance. The quality of this years’ lineup was nothing short of amazing, but I’m always astonished how this festival brings together the right people at the right time. There were attendees from New York, Ohio, Wisconsin, Colorado and Arizona – just to name a few.
2scampThere were so many moments but here are some that need a special mention.
Here Come The Mummies – HOLY MOLY! They were fun, quirky and downright funk-tastic. They kept their brassy roots intertwined with a carnival and beats antique-esque inspired flair. They laid down their horns and sax which concluded one sassy and unexpected performance.
Eoto, 100% IMPROVISED, never ceases to amaze their fans. They know just how to work the kinks out and once you embrace the weird, they take your senses on an ear-gasmic journey. Their custom Summer Camp playlist was wild and left the crowd wanting more. I’M officially IN LOVE WITH EOTO.
3scamp
Shout out to our favorite festival vendor – Peace Love Tacos. They are regulars to the festival circuit, and were a complete sell out at SCAMP. Their taco creations are not only nutritious, but a scrumptious must-have. My personal favorite is the Thunder taco with shredded pork. The staff has a notorious reputation for being generous, hardworking and silly. Only good vibes emitting from this tribe!
The Main Squeeze came in strong with their funky tunes and a well orchestrated jam session. They really elevated the crowd’s energy.
Last but not least, being gifted a Summer Camp Compass was the icing on a perfect weekend. Summer Camp 2015 filled me up in the strangest of ways.
The entire weekend was silly but exactly what was needed to kick off Summer 2015. I’m blessed and grateful to have spent the past four Memorial Day weekends with so many lovely scampers. I’m blissed out by all of the positive feedback I’ve been reading. Until next year – carry on and spread the love you’ve received in Three Sisters Park.

Chicago Music Festivals Summer Camp Photo Album